The devil is in the details with The Ditch. The expanded harmony and tension, as well as the unique rhythms are, in part, due to Secrist’s studies and degree in Jazz Composition. The band calls their brand of sludgy/noise/doom, “Big Riff”. Employing different tunings, and modal centers, every song The Ditch writes manages to avoid many of the usual doom trappings of excessive feedback, static harmony, and pentatonic riffs. The Lyrical content deals with everyday life and the constant suppression and alienation that comes with it. Three men from Mormon dominated Utah are bound to have a lot of resentment and disdain for the mono culture they exist in day to day.